Red on Red: A Novel - Softcover

Author Edward Conon on Red on Red

When a detective writes a detective novel, one question is inevitable: "How true is this book?" Nothing in Red on Red couldn't have happened, I think, and much did, in one form or another. Parts of the story are a few shades, a few twists removed from events that happened to me, or to cops I know. I don't know if I'm giving away too much by saying that incidents regarding blizzards, bloodhounds, and inappropriate applications of plastic food wrap did not come to me in a dream. Other plot twists represent "what-if's" of wish fulfillment or worst-case scenarios from life on The Job, as we call it, and certain lines of dialogue are remarks that I really wished I'd said at the time. 

The question behind the question is whether to believe it. Though I'm tempted to compare the reader to a juror, even a famously cynical Bronx juror, I think the closer parallel is in a cop's relations with an informant. You come across a storyteller who takes you inside a world you want to know about, but you don't know if what you hear is gossip, gospel, or an outright lie. Even if you find your informant credible when he says that Joe No-Neck has a kilo of cocaine and an AK-47 in his closet, you won't know if Joe skipped town the night before or is babysitting his nieces or a pack of angry pit bulls until you knock down his door. It isn't a matter of whether you'll be surprised, but how. An informant figures significantly in Red on Red.