Robert Rankin is the author of Web Site Story, Waiting for Godalming, Sex and Drugs and Sausage Rolls, Snuff Fiction, Apocalypso, The Dance of the Voodoo Handbag, Sprout Mask Replica, Nostradamus Ate My Hamster, A Dog Called Demolition, The Garden of Unearthly Delights, The Most Amazing Man Who Ever Lived, The Greatest Show Off Earth, Raiders of the Lost Car Park, The Book of Ultimate Truths, the Armageddon quartet (three books), and the Brentford trilogy (five books) which are all published by Corgi Books. Robert Rankin's latest novel, The Fandom of the Operator, is now available as a Doubleday hardback. For more information on Robert Rankin and his books, see his website at www.lostcarpark.com/sproutlore
Upon "the tragic early death" of British spoofmaster Rankin, his latest novel was dictated from the beyond to medium Lorretta Rune or so claims the book's back-flap author description. Longtime fans know better, of course: Rankin is a master of sophisticated (and sophomoric) practical jokes. His novels are cult classics in England and are attracting a growing following in the U.S. In this installment, Gary Charlton Cheese, abused child, serial killer, amateur necromancer, rabid fan of deceased writer P.P. "Charles" Penrose and bulb boy at the local telephone exchange, decides to "change things" in his boring life. Then he discovers, with the assistance of another employee, that the telephone exchange harbors a secret: FLATLINE, a phone line to the dead. "You dial in the full name of the deceased and the date of their departure. Then times the figure that comes up on the screen by the age of the person when they died and take away the year they were born and, wallah, you have your dialing code," explains a developmental services employee to Cheese. And voil , Cheese finds himself in communication with the dead. Subsequently, a whole new world opens up for the put-upon hero, whose wife, Sandra, has been shagging other guys, including his "bestest friend" in the whole world, Dave. Now he can talk to his dead dad or, say, Elvis but more importantly, he can dial up Penrose. The convoluted plot invariably leads to the question all fans must ask their favorite author "Where do you get your ideas from?" and the answer is revealed in the inimitable, roundabout Rankin way. Happily ridiculous and relentlessly funny, this is just the ticket for those who like dark British farce.
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