The Married Man: A Novel (Triangle Awards) - Softcover

But White wants to take us all the way to the end of this relationship. Austin is HIV positive, and it soon becomes clear that Julien has AIDS. As Julien's health unravels, the two travel to Providence, to Key West, to Venice, to Rome, and ultimately to Morocco. The author coins a darkly appropriate phrase for this urge to move: he calls it "AIDS-restlessness." White, in fact, unveils a whole gallery of startling images as Julien nears death. Julien is "the bowler hat descending into the live volcano." Thin and brown and bearded, he looks "like the Ottoman Empire in a turn-of-the-century political cartoon." Though he can't read it, Julien acquires a copy of the Koran. "It was the perfect book for a weary, dying man--pious, incomprehensible pages to strum, an ink cloud of unknowing." White has found a language both magical and clinical to describe a horrible death. --Claire Dederer

"Effortless narrative velocity. . . . A wise, sorrowful tale."
-- Kirkus (starred review)

"This Jamesian turn continues in the tale of Austin Smith. . . . [White's] descriptions of Paris, Venice and Morocco are infused with an almost Matisse-like sensuality. . . . In the perspicuity of White's art [even] Julien, dying in Morocco, evokes pathos and terror, bestowing this love story with a classically tragic aura."
-- Publishers Weekly

"Although it's essentially about the mutability and elusiveness of human relationships, The Married Man is also a comically observant look at the way identity fractures along the fault lines of nationality, gender and class."
-- Time Out New York

"White really has performed some sort of alchemy. The Married Man is undoubtedly one of his best novels. The prose is lyrical. . . . We are left with writing that is truly supple, adapting itself to comedy or tragedy as required . . . An unexpectedly heartening novel."
-- Sunday Times (London)

"White is a worthy heir of that earlier anatomist of the transatlantic relationship, Henry James--subtle, complex, unsparing and profound."
-- Tom Holland, London Daily Telegraph

"Written with characteristic brilliance and the particular flair for poetic detail that so distinguishes his books, Edmund White's new novel is arguably his best to date. . . . The great elegist of an aids-devastated generation . . . far from being a depressing book, White's novel is marvelously life-affirming. . . . Nobody since Proust has written so well of Paris and paid such scrupulous attention to visual detail. . . . In short, nothing less than brilliant."
-- Jeremy Reed, London Times

"A superb novel . . . Here, as in White's other novels, the gay world, with its complicated codes and hierarchies, makes perfect literary sense."
-- The Evening Standard

"A finely written, closely observed and very moving portrait of a doomed love affair . . . a compelling piece of storytelling."
-- Literary Review

"Told in sensible, stripped-down prose, this is a beautiful story of love amid the threat of impending loss."
-- The Independent

"The Married Man is a page turner, informed at every turn by Edmund White's all-inclusive and compassionate genius. Most of all, it is a devastating love story in which nothing quite turns out as one expects. We enter the lover's journey unprepared for Julien's final words; we put down the novel unable to forget them."
-- Peter Carey

"The Married Man is one of the most powerful, candid, devastating, and moving novels I've read in recent years. It is both beautifully written and unsparing in its honesty."
-- Joyce Carol Oates

"Edmund White is a great writer, and in The Married Man he is at the height of his powers: moving, funny, and a brilliant social analyst."
-- Diane Johnson

"Edmund White writes with so much brilliance and so much heart, I defy any reader to resist this love story."
-- Melissa Bank