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The trees bent down to the river in a whispering and they hung their long shadows over the water and the horse jerked quick and sudden and I felt there would be a dying, but I pulled the rope up to keep her neck above water, only just.As Katie and her father work, quickly, hopelessly, she fills in the gaps: the shame she feels at being slow, how her mother and brother were killed. In her eyes, all nature is alive and witness to the mare's dying, "since everything in this country must"--the connections are everywhere. The connections between humans, however, are not. When six British soldiers, "all guns and helmets," smash through the hedgerow to help, her father would rather sacrifice his horse than be grateful to the enemy. And even after one man risks drowning to rescue the horse, despair at the past destroys the present.
Though there is no overt death in McCann's second story, "Wood," the unsaid and the unsayable cast a pall over another family. After his father has a stroke, Sam and his mother must work by night in the family mill, making poles for banners for a political march. Despite their attempts at silence, the two are discovered, and this time the natural world seems somehow complicit in Ireland's factional wrath: "I looked at the oak trees behind the mill. They were going mad in the wind. The trunks were big and solid and fat, but the branches were slapping each other around like people."
Katie and Sam still have the capacity for wonder that has been worried out of their parents. McCann's third child, however, does not. In "Hunger Strike," a mother and son have gone from north to south for safety, a move that fills the 13-year-old with resentment. One gesture of kindness too many and he'll explode. Much has been made of the fact that in this collection McCann has confronted the Troubles for the first time. Equal attention should be paid to his exquisite, elemental narration--you never know which word will come next, and you're always desperate to find out. --Kerry Fried
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Book Description Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Seller Inventory # M09A-01844
Book Description Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.35. Seller Inventory # G0753811200I3N00
Book Description Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.15. Seller Inventory # bk0753811200xvz189zvxgdd
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Book Description Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR001392431
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Book Description Paperback. Condition: Very Good. 'Excellent, a very powerful and moving piece of work' Roddy Doyle One powerful novella, with two thematically linked short stories on either side of it, forms the basis of EVERYTHING IN THIS COUNTRY MUST. Although these are stories about Ireland and the Troubles, they have an almost mythical rather than a political feel. In the title story, four young soldiers help a farmer and his daughter free their horse from a stream in flood, unable to understand that their help will never be anything but an insult. In the novella, Hunger Strike, a young boy and his mother flee to Galway as the boy's uncle succumbs to a hunger strike in a Derry gaol. In Wood, a ten-year-old boy is asked by his mother to make poles for the marching season. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001405158
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