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Kalpakian, Laura Graced Land Loth ISBN 13: 9780802114747

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Joyce Jackson's life is dedicated to the memory of Elvis, but the state of California wants to prove she is a welfare cheat. But from Joyce, caseworker Emily Shaw learns the power of music, memory, and the imagination. The author of Beggars and Choosers, Kalpakian's writing is magical with sexual energy, spiritual largesse, and musical genius.

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From Kirkus Reviews:
There's something forced about Kalpakian's adequately written sixth book (Dark Continent, 1989, etc.)--a melodramatic novel that celebrates Elvis Presley as a cultural and spiritual icon. Joyce Jackson (born Rejoice Denby) is a welfare mother in the fictional town of St. Elmo, California, who displays an ``undue, unusual attachment to the late Elvis Presley.'' As her affluent caseworker from Laguna Beach learns, Joyce has substituted a religious devotion to Elvis for the fundamentalism of her oppressive youth. She truly believes that the naive rock-and-roller is her personal savior, and that she must carry out his nonmusical works as an emissary to the poor and afflicted. Part of her mission is the shrine on her front porch, known locally as ``Heartbreak Hotel.'' Into Joyce's life comes the uptight Emily Shaw, a rich girl biding her time until she marries her law-student boyfriend. From the get-go, Emily drops her professional demeanor in Joyce's presence, since the idolater refuses to fit the social-services mold: she's industrious, charitable, and a good mother to her daughters, Priscilla and Lisa Marie. She's also a welfare cheat, hiding income and arousing the attention of Emily's supervisor, the unsympathetic ``Large Marge,'' a grotesque and bitter woman bent on humiliation. We learn in flashbacks that the King's music saved Joyce from the nasty Fifties, just as he will save others over the course of this predictable novel. Emily will recognize the vapidness of her preordained life of luxury, and Joyce's ex will survive a motorcycle accident, only to return home. Emily's predecessor as Joyce's caseworker, the experienced and dedicated Sid Johnson, an unlikely Elvis fan, discourses on the singer's important cultural contribution. Everything works out okay here among those who acknowledge that Elvis ``died for us,'' and that his drug abuse only proved his humanity. As silly and superficial as the class analysis it advances, Kalpakian's sluggish narrative rocks as hard as the King on Quaaludes. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
From Publishers Weekly:
Although even devoted Elvis Presley fans may at first find it difficult to warm to this novel, perseverance will be rewarding. Beneath its dense veneer of laudatory references to The King lies an absorbing tale of hardship, love and the value of holding true to convictions. Emily Nash, a timid and desperately lonely young social worker, lives in the small California town of St. Elmo, and remains stubbornly faithful to her absent law-student fiance. Emily's caseload includes Joyce Jackson, a welfare mother who has named her kids after Elvis's ex-wife and daughter and festooned her front porch with Elvis memorabilia. It is with some trepidation that Emily first visits Joyce's so-called Heartbreak Hotel; there, she meets not a fruitcake but a new friend. As the two draw closer together, we learn that Joyce's unusual behavior fully manifested itself when her husband left her on the eve of Elvis's death; since then, she has existed on welfare and on her illegal, unreported income from sewing quilts out of scraps. Emily eventually must make a choice between rational, professional conduct and her affection for Joyce. Kalpakian's ( Beggars and Choosers ) characters are a spirited lot who totally involve the reader's interest and emotions, although their tendency to speak in song titles can be irksome.
Copyright 1992 Reed Business Information, Inc.

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  • PublisherGrove Weidenfeld
  • Publication date2018
  • ISBN 10 0802114741
  • ISBN 13 9780802114747
  • BindingHardcover
  • Edition number1
  • Number of pages264
  • Rating

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