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I Am The First Consciousness Of Chaos: The Black Album - Softcover

 
9780985762551: I Am The First Consciousness Of Chaos: The Black Album
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I AM THE FIRST CONSCIOUSNESS OF CHAOS collects the key “noirs†– lithographs, etchings and charcoals – of Odilon Redon, perhaps the most enigmatic and esoteric figure in the artistic lineage that leads directly from Symbolism to Surrealism. Never previously available in a single trade volume, the majority of Redon’s noirs – over 250 illustrations – are finally collated here, along with illuminating excerpts from the decadent texts which inspired their creation. Authors featured include J-K Huysmans, Gustave Flaubert, Charles Baudelaire, Edward Bulwer-Lytton, St John the Divine, Edgar Allan Poe and others; the book also includes an autobiographical introductory essay by Redon himself.

With proclamations such as “everything in art occurs through voluntary submission to the advent of the unconscious†and “my originality consists in putting the logic of the visible at the service of the invisible†, Odilon Redon (1840-1916) established a theoretical legacy which now places him as one of the key precursors of Surrealist thought. And along with Gustave Moreau and Georges Seurat, Redon was one of the first painters to excite the imagination of a young André Breton.

A contemporary of the Impressionists, Redon chose to align himself with literary Symbolism, demonstrated by his friendship with Stéphane Mallarmé and his visual interpretations of the “decadent†texts of such writers as Baudelaire, Flaubert, Poe, and others. His reputation as a purveyor of phantasmic visions was sealed by the description of his work included in J-K Huysmans’ decadent bible A Rebours, in 1884, and his rise to prominence in the 20th century was precipitated by the inclusion of many of his works at the controversial Armory Show, held in New York in 1913.

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About the Author:
Odilon Redon (born Bertrand-Jean Redon; French: April 20, 1840 - July 6, 1916) was a French symbolist painter, printmaker, draughtsman and pastellist. He is often cited as a key influence on the Surrealists.
Excerpt. © Reprinted by permission. All rights reserved.:
CONFESSIONS OF AN ARTIST

ODILON REDON

I have made an art according to myself. I have done it with eyes open to the marvels of the visible world and, whatever anyone might say, always careful to obey the laws of nature and life.

I have done it also with love for several masters who led me to the worship of beauty.

Art is the supreme range, high, salutary and sacred; it blossoms. In the dilettante it produces only delight, but in the artist with anguish, it provides grains for new seeds.

I think I surrendered obediently to the secret laws which led me to form, as best I could, and, following my dream, the things into which I put my entire being. If this art went against the art of others (something I do not believe), it also brought me, however, an audience that time maintains, and even brought me friendships of quality and kindness that are sweet to me and that reward me.

Notes that I express here will help in understanding this art more than whatever I could say about my ideas and technique. Art participates also in the events of life. This will be my only excuse for speaking exclusively about myself.

My father often used to say to me: "Look at those clouds, can you see as I can, the changing shapes in them?" And then he would show me strange beings, fantastic and marvelous visions, in the changing sky. He loved nature and sometimes told me, about the pleasure he had felt in the American savannas, in the vast forests he had cleared, where he was once lost for many days; he told about the courageous and rather wild life he had led there when he was young, venturesome of fortune and freedom.

From the stories he used to tell us within the family about his former adventures (he had been a colonist, he had owned negroes), he appeared to me an imperious being, independent, even hard, before whom I always trembled. Although today, at a long and confused distance, and with all that remains of him in my eyes, I see in the depths of his own, which easily moistened with tears, a merciful and sweet sensitivity that his outer harshness could scarcely conceal.

He was tall, straight and proud, with great natural distinction. Born near the small city of Libourne, (where several villages and many families bear our name), he was young when he left for New Orleans during the First Empire wars, oldest son of a wealthy family, impoverished by the hardness of the times. .....

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  • PublisherSun Vision Press
  • Publication date2014
  • ISBN 10 0985762551
  • ISBN 13 9780985762551
  • BindingPaperback
  • Edition number2
  • Number of pages256
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