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Ostrich Boys: Improving Standards in English through Drama at Key Stage 3 and GCSE (Critical Scripts) - Softcover

 
9781408130827: Ostrich Boys: Improving Standards in English through Drama at Key Stage 3 and GCSE (Critical Scripts)
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Shortlisted for the CILIP Carnegie Medal 2010, Keith Gray's hit novel features a group of three friends who embark on a remarkable journey from Cleethorpes to Scotland with a stolen urn containing the ashes of their best friend. . . Now adapted for the stage by Birmingham Rep for a production by their Youth Theatre in 2011, Ostrich Boys is ideal for KS3 and KS4 English and will appeal strongly to boys as well as girls.


This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series:


  • meets the new requirements at KS3 and GCSE (2010)
  • features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis
  • places pupils' understanding of the learning process at the heart of the activities
  • will help pupils to boost English GCSE success and develop high-level skills at KS3
  • will save teachers considerable time devising their own resources.

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About the Author:
Keith Gray has written a number of award winning novels for teenage readers, including Creepers, shortlisted for the Guardian Award, The Runner, winner of the Smarties Silver Award, and Malarkey, winner of the South Lanarkshire Book Award. Carl Miller is a playwright and Literary Manager of the Unicorn Theatre, London.
Excerpt. © Reprinted by permission. All rights reserved.:
One    

Our best friend was ash in a jar. Ross was dead. Kenny, Sim and I were learning to live with it.  

And this was all Sim's idea. It was just that Kenny and I weren't convinced exactly how great an idea it was.  

We'd had to wait for it to get dark, which at this time of year wasn't until after half-ten. We'd given it until eleven. Now we were crouched whispering in the shadow of some scraggy fir trees in the front garden of the history teacher's house. We hadbranches jabbing at us, needles in our hair and down the backs of our collars. But no matter how much we shuffled and hunkered, the shadow wasn't quite big enough. We were still wearing our dark funeral clothes, and that helped. The problem was Kenny, who keptsquirming, shoving bits of me and Sim out into the glare of the streetlights. All it would take was one eagle eye to look our way and we'd be seen for sure.  

A car sped by and we ducked our heads. It wasn't just the warm June night making me sweat.  

"This is for Ross, remember," Sim whispered. "We can't flake out now--we all agreed. You agreed too, Kenny. Don't say you didn't."  

Kenny made a noise--not quite yes, not quite no. "Can't we just put a note through his door or something? I'm telling you: if we get caught--"  

Sim looked disgusted. "Christ-on-a-bike, Kenny! You want to write a poem in a card too? A card with love hearts and rabbits wearing hats on the front?" He shook his head, popped the lid off the can of spray paint he was clutching. "No. It's got to be big."  

Kenny opened his mouth to argue but I nudged his arm, hushing him.  

Mr. Fowler's house was a corner terrace with a small square of scrappy garden on Brereton Ave--a busy enough road within walking distance of the pubs and clubs along the sea front. It was Friday night in Cleethorpes and for most people the only place tobe were those pubs and clubs. We could hear giggling and chatter from a group of girls clacking along the pavement in their heels. We huddled down even further under the fir trees, ignoring another showering of needles. One of the girls wanted to get a taxi,her feet were killing her--but her friends said it wasn't worth it, they were nearly there now. We waited for them to decide. I stared hard at the ground, hoping they wouldn't look at us if we didn't look at them.  

At last they walked on and I whispered, "Either we do it or we don't, okay? We can't stay here all night arguing about it." I didn't care how edgy I sounded. More edgy than nervous. Of course I was worried about being seen, but more than that I still wasn't convinced this was the right thing to do. For Ross, I mean. I didn't give a damn about Mr. Fowler.  

Two, three cars swept by.  

"I don't want to do it," Kenny said. "We shouldn't do it."  

"I'm gonna do it," Sim said.  

"Well, yeah," Kenny agreed. "It's your idea, so you should do it."  

Sim looked to me. "Blake?"  

"You're gonna do it whatever I say."  

He grinned. "I know."  

Kenny felt brave enough to poke his head out from under the low branches, looking toward the house's dark front windows. "D'you think he's in?"  

Sim shrugged. "Maybe, maybe not."  

"There're no lights on," I said. And then, just like that, one went on behind the front-room curtains. I ducked my head and swore.  

"He's in! He's in!" Kenny hissed. He scrabbled as far back under the fir trees as he could get, pushing me and Sim out into the open again. I had to elbow my way back into hiding.  

We kept our eyes on the glow of light behind those curtains. What was Mr. Fowler doing in there? Watching TV? Reading a book? Eating takeaway pizza? How come he could still do those things but our best friend was dead?  

Ross was hit by a car, knocked off his bike. At the funeral the vicar had called it an accident. But somehow the word wasn't enough. It wasn't big enough, powerful enough--didn't mean enough. He hadn't spilled a cup of tea, he hadn't tripped over his ownfeet. He'd had his life smashed out of him. It felt like there should be a whole new word invented just to describe it.  

Sim didn't seem in the least bit worried that the teacher being home might make his plan riskier. Although I didn't think I'd ever seen Sim get nervous about anything much. He was more comfortable being angry. He had these dark brown eyes that hardenedlike snooker balls whenever he got mad. And he'd always had short hair, but only yesterday he'd had it shorn to within a millimeter of its life, leaving his freshly exposed scalp much too pale compared to the rest of him. In his funeral getup he looked like a fifteen-year-old version of the bouncers who guarded the doors to the rowdy clubs along the sea front.

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