An Ideal Husband - Softcover

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish playwright, novelist, essayist, and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, as well as the circumstances of his imprisonment and early death. Wilde's parents were successful Anglo-Irish Dublin intellectuals. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art", and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversation, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French in Paris but it was refused a licence for England due to the absolute prohibition of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late Victorian London. wikipedia

The L.A. Theatre Works performs plays tailored for a radio format before live audiences. The works are treats for the ear: Each features first-rate performances, rich but not overdone sound effects, evocative background music, expert engineering and the immediacy of an audience's live responses. AN IDEAL HUSBAND, Oscar Wilde's 1895 comedy, shows how a good adaptation of a classic play can speak to the present age. Martin Jarvis and director Michael Hackett have slightly streamlined Wilde's play about a rising politician with a secret in his past whose efforts to prevent exposure call attention to the hypocrisy of holding our leaders to higher standards than we ourselves live by. The large cast handles the witty dialogue with delicacy: Jacqueline Bisset charmingly plays one of dramatic literature's most polite blackmailers. The insouciance of the performances emphasizes rather than detracts from the play's serious theme of social hypocrisy. G.H. (c)AudioFile, Portland, Maine