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Published by Yale University Press, 2004
ISBN 10: 0300105738ISBN 13: 9780300105735
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by Jewish Museum; Yale University Press, New York and New Haven, CT, 2004
ISBN 10: 0300105738ISBN 13: 9780300105735
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book
Paperback. Condition: Very Good. xiii, 241 pages, illustrations (some colour); 32 cm. Catalogue of an exhibition at the Jewish Museum, New York, May 21 to September 19, 2004; the Art Gallery of Ontario, October 23, 2004 to January 23, 2005; and the Phillips Collection, Washington, D.C., February 19 to May 29, 2005. Firm binding, clean inside copy. Light shelfwear. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "Amedeo Modigliani (1884-1920) is one of the best known - and most misunderstood - artists of the twentieth century. His incisive portraits, erotically charged nudes, elegant drawings of caryatids, and primitivistic sculpture have been admired for decades. Modigliani's work, however, has typically been examined in the limited context of his so-called bohemian, anti-intellectual lifestyle. This book revises this approach toward Modigliani's art, presenting a revisionist examination of the unique historical, social, religious, and cultural significance of his oeuvre. Modigliani: Beyond the Myth looks at the artist and his art from a variety of important perspectives: his proud heritage as a Sephardic Jew, whose spirituality embraced non-Western, classical, and Christian iconography while retaining its own ethnic identity; his critical engagement and melding of tribal and ethnographic art with Judaism in his portraiture; the representation of the female nude in his works from a feminist cultural perspective; the remarkable reception of his work in Italy after his death, and the failure of traditional art history to account for or analyze these important aspects of his life and work." - Publisher. Size: Folio.
Published by Jewish Museum, New York; Yale University Press, New York, New Haven, London, 2004
ISBN 10: 0300105738ISBN 13: 9780300105735
Seller: Lucky Panther Books, Leonia, NJ, U.S.A.
Book First Edition
Soft cover. Condition: Fine. No Jacket. 1st Edition. To accompany exhibits at New York's Jewish Museum, Art Gallery of Ontario, and Phillips Collection in Washington DC during May 2004 - May 2005. 144 plates, many full-page; chronology; photographs, essays on other artists who influenced him, family background, etc 241 pages. 8 1/2" x 12". Extra charge for international.
Published by Center for Art and Visual Culture, University of Maryland Baltimore County Baltimore, MD, 2003
ISBN 10: 1890761052ISBN 13: 9781890761059
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Book
193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked.
Published by Jewish Museum, 2004
ISBN 10: 0300105738ISBN 13: 9780300105735
Seller: ANARTIST, New York, NY, U.S.A.
Book
Softcover, 242 pages; poor to fair condition; heavy warp to book; wave to all pages at center no internal marks. Foreign shipping may be extra.
Published by Jewish Museum, 2004
ISBN 10: 0300105738ISBN 13: 9780300105735
Seller: ANARTIST, New York, NY, U.S.A.
Book
Softcover, 242 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Published by The Jewish Museum, New York, 2004
ISBN 10: 0300105738ISBN 13: 9780300105735
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Book
Wrappers. Condition: Fine Condition. 240 pages 180 illustrations 144 in color. Illustrated wraps. Foreword by Joan Rosenbaum. Published on the occasion of the exhibition from The Jewish Museum, New York NY May 21-September 19, 2004. Exhibition Checklist. Selected Bibliography. Book.
Published by Jewish Museum, 2004
ISBN 10: 030010264XISBN 13: 9780300102642
Seller: Enterprise Books, Chicago, IL, U.S.A.
Book First Edition
LG Hardcover, illus. Condition: Fine+. Dust Jacket Condition: Fine. First Edition; First Printing. Book very Fine. NO names or ANY markings. Clean. DJ with nick at bottom front spine corner, else Very Fine DJ, not clipped. No stickers. ; Ships in a box, USA; 4to; 241 pages.
Published by Jewish Museum, 2004
ISBN 10: 030010264XISBN 13: 9780300102642
Book
hardcover. Condition: Very Good. Hardcover with jacket; slight wear to DJ, curling top edge and small tear in rear upper corner; now in protective cover;Interior is clean and unmarked; Binding is solid.
Published by Yale University Press and the Jewish Museum, New Haven and New York, 2004
Seller: Blind-Horse-Books (ABAA- FABA), DeLand, FL, U.S.A.
First Edition
Hardcover in Dust Jacket. Condition: Fine. Dust Jacket Condition: Fine. First Edition, First Printing. Amedeo Modigliani (1884-1920) is one of the greatest - and most misunderstood - artists of the twentieth century. His incisive portraits, erotically charged nudes, beautiful drawings, and primitivistic sculpture have been admired for decades. Modigliani's work, however, has typically been examined in the limited context of his so-called bohemian, anti-intellectual lifestyle. This groundbreaking book revises this approach toward Modigliani's art, presenting a convincing revisionist examination of the unique historical, social, religious, and cultural significance of his oeuvre. No Flaws or Blemishes but minimal shelf handling; Still Gift Quality. Dust Jacket with price is in a new clear protective Mylar sleeve.
Published by Yale University Press, 2020
ISBN 10: 0300247192ISBN 13: 9780300247190
Seller: Dan Pope Books, West Hartford, CT, U.S.A.
Book First Edition
Hardcover. Condition: New. No Jacket. 1st Edition. YALE. First edition. First printing. Hardbound. Pictorial boards, 184 pages, illustrations (some color); 32 cm. Published in conjunction with the exhibition of the same name organized by the Jewish Museum, New York, May 1, 2020 to September 13, 2020. Profusely illustrated. "This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960." Brand new. Still in original shrink-wrap. Issued without jacket.
Published by Jewish Museum: Yale University Press, New York and New Haven, CT, 2020
ISBN 10: 0300247192ISBN 13: 9780300247190
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. 1st. Pictorial boards, 184 pages, illustrations (some colour); 32 cm. Published in conjunction with the exhibition of the same name organized by the Jewish Museum, New York, May 1, 2020 to September 13, 2020. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. "This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue-whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers-emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, 'Modern Look' considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media." - Publisher. CONTENTS: Foreword, by Claudia Gold; Modern look: photography, innovation, and the American magazine, by Mason Klein; 'In our lives we were whole': Gordon Parks, picture magazines, and the struggle for identity, by Maurice Berger; Propriety and provocation: women, emigres, and outliers in American magazines at mid-century, by Leslie Camhi; Astonish me! Photography, graphic design, and mid-century visual culture, by Marvin Heiferman. Size: Folio. Collectible.
Published by Yale University Press, 2004
ISBN 10: 030010264XISBN 13: 9780300102642
Seller: Holt Art Books, Birmingham, United Kingdom
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Book is in very good condition. Dust jacket is in very good condition with some shelf edge wear. 241pp with colour illustrations.
Published by Yale University Press, 2004
ISBN 10: 030010264XISBN 13: 9780300102642
Seller: Holt Art Books, Birmingham, United Kingdom
Book
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Book is in fine condition. Dust jacket is in very good condition with some shelf edge wear. 241pp with colour illustrations.
Published by Yale University Press 2020-05-12, 2020
ISBN 10: 0300247192ISBN 13: 9780300247190
Seller: Chiron Media, Wallingford, United Kingdom
Book
Hardcover. Condition: New.
Published by Yale University Press, 2004
ISBN 10: 0300105738ISBN 13: 9780300105735
Seller: Aragon Books Canada, OTTAWA, ON, Canada
Book
Condition: New.
Published by Jewish Museum, 2004
ISBN 10: 030010264XISBN 13: 9780300102642
Seller: Books-R-Keen, DuBois, PA, U.S.A.
Book
hardcover. Condition: New.
Published by Yale University Press, 2004
ISBN 10: 0300105738ISBN 13: 9780300105735
Seller: Aragon Books Canada, OTTAWA, ON, Canada
Book
Condition: New.
Published by Jewish Museum, 2004
ISBN 10: 030010264XISBN 13: 9780300102642
Seller: Glands of Destiny First Edition Books, Sedro Woolley, WA, U.S.A.
Book First Edition
hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. Publisher: Jewish Museum, New York, 2004. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.
Published by Jewish Museum, 2004
ISBN 10: 030010264XISBN 13: 9780300102642
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. 241 pages. 12.00x9.00x1.25 inches. In Stock.