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Published by Pearson Education, Limited, 2009
ISBN 10: 0132338459ISBN 13: 9780132338455
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book First Edition
Condition: Very Good. 1st Edition. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Pearson Education ESL (edition 1st), 2009
ISBN 10: 0132338459ISBN 13: 9780132338455
Seller: BooksRun, Philadelphia, PA, U.S.A.
Book First Edition
Paperback. Condition: Very Good. 1st. Contains NEW UNOPENED access code. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Published by Pearson Education ESL (edition First Edition), 2009
ISBN 10: 0132338459ISBN 13: 9780132338455
Seller: BooksRun, Philadelphia, PA, U.S.A.
Book First Edition
Paperback. Condition: Very Good. First Edition. Supplements included Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Published by Pearson Education ESL, 2009
ISBN 10: 0132338459ISBN 13: 9780132338455
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Very Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Published by focal press, 1942
Seller: Simon and Kathy, Pontypridd, United Kingdom
Book
Hardcover. Condition: Fair. No Jacket. fair reading copy. dust cover missing. printing page missing. blue boards. immediate despatch from the uk 6 days a week.
Published by Pearson Education ESL, 2009
ISBN 10: 0132338459ISBN 13: 9780132338455
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1899 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 56 Language: English.
Published by Pearson Education ESL, 2009
ISBN 10: 0132338459ISBN 13: 9780132338455
Seller: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Book
Condition: New. New. In shrink wrap. Looks like an interesting title! 0.88.
Published by Coracle Press London, United Kingdom, 1977
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[73] pp.; 6.9 x 4 x 1.5 cm.; loose leaves; slipcase; black-and-white; edition size 2000; unsigned and numbered; offset-printed Exhibition catalogue published in conjunction with show held at Coracle Press, London, in 1977. Artists include Roger Ackling, Reg Ashton, Tony Ashton, Robin Bagilhole, Allen Barker, Glen Baxter, Gavin Bennett, Boris Brook, David Brown, Jennifer Buxton RMS, Peter Cartwright, John Christie, Tom Clark, Laurie Clark, Les Coleman, Martin Cook, Simon Cutts, Rosemary Deval, Stephen Duncalf, Paul Eachus, Kenelm Evans, Martin Fidler, Noel Forster, Terry Frost, John Furnival, Phillida Gili, Peter Gordon-Stables, Paul Hammond, Jonette Harley-Peters, Glynn Boyd Harte, Adrian Heath, Anthony Hill, Charlie Holmes, Patrick Hughes, Tess Jaray, David Johnstone, Ron King, Brian Lane, Eileen Lawrence, Edwina Leapman, David Lehrle, Kim Lim, Stuart Mills, Brodnax Moore, Dave Morris, Glen Onwin, Eduardo Paolozzi, Roy A. Perry, Tom Phillips, David Prentice, Dinah Prentice, Kay Roberts, Martin Rogers, Archie Puff, William Scott, Stephen Skidmore, Birgit Skiöld, Diane Slocock, Karl Torok, Ian Tyson, Darrell Viner, Shelagh Wakely, Warren Editions, Alan Welsford, Madelaine Westwood, Steve Wheatley, David Willetts, Julia Wilson, Richard Wilson and Trevor Winkfield. Catalogue consists of 71 loose cards each one devoted to an artist in the exhibition with a black-white-image of their work one side and caption information on the other, housed in a printed paper slipcase. Very Good. Complete set. Cards in Fine condition. Light flattening of box, with 2 mm. of soiling to recto. Number 679 / 2000.
Published by Carlisle Carlisle Museum and Gallery 1982, 1982
Seller: Christian White Rare Books Ltd, Ilkley, YORKS, United Kingdom
Book First Edition Signed
Fascinating artistic correspondence, sketches and notes preparatory to the Presences of Nature exhibition held in Carlisle in 1982. The correspondence is all addressed to Neil Hanson, then Carlisle Museum Exhibitions' Officer and the exhibition's organiser who describes its aim 'to assemble a substantial body of new work reflecting the beauty and variety of this Cumbrian landscape and the diversity of response it engenders in some of our finest contemporary artists, writers, photographers and craftsmen.' Accompanying the manuscript material is the book that was published to mark the exhibition; some staining to the lower part of the foreedge. The collection comprises the following artists and writers: William Scammell: [4 ALS] A collection of letters by William Scammell, two on University of Newcastle headed notepaper. In his letters Scammell discusses the commission and his proposed submissions, including "The Screes" and "Monday,Monday". He also includes a biographical note and details of his published books. John Hilliard: [3 TLS] Three letters by the conceptual artist John Hilliard, discussing the commission and his reticence in being considered a 'Lakeland' artist. He proposes two submissions, 'Frozen' and 'Double Description-Coniston Water' and gives detailed framing instructions, hand-drawn in pen. Donald Wilkinson: [6 ALS; 1 handwritten biography; 1 lithographic Christmas card] A collection of letters and a signed coloured etching of a Lake District landscape by the printmaker Donald Wilkinson, made in connection with the exhibition in the Lake District in 1982. In his letters, Wilkinson discusses the commission and encloses the Christmas card as an example of his recent work. John A Davies: [5 ALS; 1 pencil sketch; 1 handwritten biography] A collection of letters by the photographer John A Davies. Davies expresses his interest in the commission "I think the show would prove very stimulating and I would be most interested to see how other contemporary artists see the Cumbrian landscape." He lists the 12 photographs to be exhibited along with an A5 page of annotated pencil sketches of each, and discusses their reproduction for the exhibition catalogue. Roger Palmer: [6 ALS; 1 postcard; 1 ANS] A collection of letters by the photographer Roger Palmer. In these succinct letters, Palmer discusses the commission and his proposed submissions. Faith Shannon: [3 ALS; 1 TLS; 1 handmade Christmas card] Letters by the bookbinder Faith Shannon MBE, in which she discusses the commission to produce leather bindings for the deluxe editions of the exhibition catalogue, and includes an estimate of costs. The signed 15x10cm Christmas card features a blind stamped "Happy Christmas" greeting. Geoffrey Key: [5 ALS] Five letters by the artist Geoffrey Key. In these exuberant letters to Hanson, Key discusses names for the mailing list and travel to Carlisle; and thanks Neil Hanson - "Many thanks for your card it goes great with my bus pass, Yours antiquatedly, Geoff". Julia Hills: [2 ALS] A brace of letters by the artist Julia Hills, discussing the commission of her dolls and the time frame of work. Melanie Sproat: [2 ALS, 1 exhibition agreement] A collection of letters by the clockmaker Melanie Sproat. In her neat letters, Sproat describes the essence of her work as exploring "the contrasting colour, structure and tactile qualities of precious and base metals", and proposes a wall clock inspired by the rugged Cumbrian landscape. Her second letter concerns damage sustained by her works while in storage. Mike Davis: [1 ALS, 2 TLS] A trio of letters by Mike Davis on Mimram Stained Glass Studio headed notepaper. Davis discusses his proposed exhibits, including a five light window for St John's Church, Digswell. The artist also thanks Neil Hanson for all the hard work put in and suggests "a quieter occupation, wrestling alligators in the Everglades or something". Glyn Hughes: [1 TLS] A letter by the poet and novelist Glyn Hughes, in which he discusses his proposed submissions, describing how he had started to paint again after a break of 20 years; and suggests some commissioned pictures of Cumberland with poems to go with them. David Wright: [3 ALS] A group of letters by David Wright, ex Gregory Fellow in Poetry at Leeds University. Wright writes about the commission and his proposed submissions, including "Procession" and "Mirehouse". He also suggests other artists for the project including William Scammell of Cockermouth. Jon Silkin: [1 ALS; 1ANS; 1 exhibition agreement ] A small collection comprising one letter, one note on a Stand magazine compliments slip, and an exhibition agreement by the poet Jon Silkin made in connection with the exhibition in 1982. In his letter to Hanson, Silkin discusses the commission and his proposed submissions, including "The Church is getting short of Breath". Roy Fisher: [2 ALS] Two letters by Roy Fisher on University of Keele headed notepaper. Fisher's thoughts on his submissions include "The Running Changes" and a piece on "a quest, among desolate military sites and barbed-wire littered beaches, for the shrimping grounds of Flookburgh, but it seemed likely to have strong negative tourist appeal, so I've desisted". Roger Garfitt: [4 ALS] A collection of letters by Roger Garfitt. In these warm and appreciative letters Garfitt discusses his proposed submissions to the exhibition, including 'The Broken Road' as "it's probably the best landscape poem I've done". Garfitt describes his first experience of the Lake District "at the age of twelve, leaning out of a coach window on a day trip, as rapt and enraptured as any Romantic on a walking tour." Paul Joyce: [7 ALS; 4TLS; 2 postcards] A collection of letters by the photographer Paul Joyce. In his letters Joyce writes about his proposed submissions, including a collaboration with the poet Jonathan Williams. Joyce shows concern for the financial aspects of the commission and includes a list of expenses for attending the opening.